“A Visit From St. Nicholas,” or “'Twas The Night Before Christmas” as it is more commonly referred to, is a poem from the 1820’s that is usually ascribed to author Clement C. Moore. Our modern image of Santa Claus, the one found on wrapping paper and Coke packaging everywhere, draws almost exclusively from this poem. It’s hard to hear these classic verses and not get even a little holiday spark in your spirit. Growing up, one of our Christmas Eve traditions was to read this after we read the story of Jesus’ birth from the Bible. Wrapped up in some brand new pajamas we had just opened and sipping some hot apple cider my dad had just made, we would sit back and try to somehow keep our cool on in anticipation of the night of excited sleeplessness that lay ahead. I've still got the book my dad read from and you can bet I'll be reading from it one day too. Maybe that’s why this poem always stirs up something in me no matter who’s reading it. Besides, name me another poem or song that has been able to wrangle the following cast of interpreters:
“The Night Before Christmas” – Bob Dylan: For the Season One “Christmas & New Year’s” episode of Bob Dylan’s Theme Time Radio Hour show, Bob warmly read the poem over a nice acoustic guitar backdrop. His unique delivery and creaky voice fit the reading perfectly and he balances the festive reverence of the well-worn lines with a sly smirk in his voice. I could listen to this version a thousand times over.
“The Night Before Christmas“– Louis Armstrong: Satchmo’s infectiously jolly rendition makes you feel like it’s being read by Santa Claus himself. His booming voice, boisterous chuckle and playful inflections create a distinct version all his own. He almost sounds like he’s hearing it for the first time while he’s reading it and there’s no question that he’s thoroughly enjoying himself. Just like with Bob’s version, I never get tired of hearing this one either.
“'Twas The Night Before Christmas” – Henry Rollins: Leave it to punk’s renaissance man Henry Rollins to whip up the most off-kilter arrangement. He kept the original lyrics but fashioned a backing track of air raid sirens, helicopter blades, gunshots and a bomb drop. It’s not quite as “yuletide fuzzy” as the other two, but for a teenager in the 90’s looking for all things irregular, unconventional, sarcastic and ironic, this one fit the bill like few else. This one is a matter of quality over quantity for me because eventhough I don’t listen to it as much as the other two, it hits me just the same.
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